A new technique discovered during my last acrylic courses: Hard-edge technique. The group of “Plasticiens” in Montreal in the sixties including Claude Tousignant were using this technique a lot.
The principle of this technique is to use masking tapes before applying paint. This technique requires some kind of preparation at first. Which means to think about the desired result and the desired colors before starting the process…
In three steps:
- Sticking masking tapes (such as those used for painting walls) according to the desired pattern
- Applying a layer of medium along the tape to prevent paint from seeping under the masking tape
- Application of color (one or more coats) and then removing strips
This technique is perfect for opacity painting use. I wanted to try with transparence. Here is the result:
I thought the colors would come up more under the last coat of white. But white color is very opaque. So I applied new layers of red, yellow and orange, before applying two layers of white transparent.
Here is my new design on Toon Shop: Easter Rabbit.
A lovely pink rabbit offering a big chocolate egg.
This design is an original watercolor painting I made from an old drawing. Like for the Unicorn, I first transferred the drawing on the painting paper before colorizing and adding a background and some more details.
Below are some products from the Spreadshirt’s shop Boutique du Toon (Canada / USA) where you will have a $5 discount on every order with the coupon code: GREENWEEK
You can also customize your own product with this illustration and have the same discount.
Below, some products from the Zazzle’s Toon Shop created with this illustration. You have 20% Off Select Products with coupon code: SAVEINWINTER
A new pattern on the Toon Shop: Feed me! Or rather two patterns. I can’t choose between a vector graphic and a pixel one, such as a drawing or photo.
If you choose to upload a vector graphic, Spreadshirt will limit the number of colors to 3 (black and white included) from limited swatches (depending on the printing techniques 20 to 28 colors). In addition, many rules have to be respected: lines width or spacing between lines. But the result is perfect and we have a wider choice of printing technique: flex, flock or digital. See printing techniques on Spreadshirt >
A pixel graphic is easier to design: gradients, no features or colors limit, but the result may be surprising if the print size is really different compared to the original (very small or very large). However, I had no surprise until now with my designs.
Here is the vector design.
Here, you can replace each of the 3 colors in the design: black, dark gray and light gray by one in the swatches. For instance:
blue for boys
pink for girls.
Here is the pixel graphic. It’s an original watercolor painting.
First, this design was for St Patrick Day with a pint of Guinness instead of the milk bottles.
But, following my cousin’s advice (mum of two), I adapted the pattern for babies. Thanks to her, I’m quite happy with the result. Now, I think this design is much more adapted for babies, especially when you’re a first time parents struggling with your newborn… feeding him or her night and day!
I recently discovered the acrylic transfer. This is just awesome. The goal is to transfer a photocopy using acrylic paint on another painting. In the transfer, the white part of the photocopy will vanish, only black and shades of gray will appear. The transfer is like a transparent plastic peel.
To make a transfer, you have to photocopy a photography or an illustration and create an acrylic background which will fit with the photocopy. On the ink side of the photocopy, apply 4 to 8 coats of gloss medium allowing to dry between each layer (5-10 min). Once the medium is completely dry (24 to 48 hours), put the photocopy in a full bucket of water enough to soak the paper and to be able to remove it by rubbing with fingers. Remove all the paper you can or want… be careful, the remaining film is fragile and can easily break. What you get is the transfer. Then, apply a layer of gloss medium on the back of the transfer and stick it on the background created at the beginning.
Here are some tests:
At the bottom of the dress I made tests with sand texture. The transfer border is still visible around the character. The transfer was made with 8 layers of Liquetex Medium varnish gloss. With this medium, you will get something very thick like plastic. For the second test, I stopped at 4 layers.
To paste this transfer, I added yellow paint in the medium. Once pasted on the background, I pushed the medium outside the silhouettes.
Things are pretty rushed lately (moving, DIY, Canadian residency, employment, crochet, pregnancy, you’ll find all this at http://untoonaucanada.blogspot.com) but starting today, I am on maternity leave two months prior to the delivery date. This is the perfect opportunity to take over and spend more time on drawing, painting, illustrating and photography.
I am now enrolled in acrylic paints courses. Significantly simpler than watercolor (which requires a perfect control of spaces unpainted) or oil (very long drying time), acrylic is suitable to all mixtures, all techniques, with textures, materials, transparency, collage … which is perfectly highlighted in this workshop hosted by the University of Montreal. At the same time, I notice my weaknesses:
the use of color, color matching and color blends (I’m handier with a pen or pencil),
the application of paint (no fine lines, impasto, marks left by the brush drips)
But I do not lose hope and the discovery of these new techniques brings me a lot in terms of creativity.
At the same time I’m back on the drawing board. Here is a portrait done this morning.